The body is opaque. It hides an inner body, a body in the shadows, a body that feels.
In physics, a black body is an object whose electromagnetic spectrum depends solely on its temperature.
Stéphanie Fuster’s corps noir is a spectrum. It manifests itself as dissipated heat that increases as she dances.
I imagined Corps noir as a device that reveals the imprint left by body heat. Enclosed in a black monolith, Stéphanie Fuster freezes her dance. Her body appears through contact. The traces it leaves fade away as they cool. Stéphanie Fuster’s body emerges from the blackness, and then is lost in it once more.
Aurélien Bory, March 2016
Design, scenography and stage direction Aurélien Bory
With Stéphanie Fuster
Lighting design Arno Veyrat
Sound design Stéphane Ley
Set design Pierre Dequivre, Stéphane Chipeaux-Dardé
Automation Stéphane Chipeaux-Dardé, David Puyoou
Stage Manager Stéphane Chipeaux-Dardé
Technical Director Stéphane Chipeaux-Dardé
Production administrator Marie Reculon
Production manager Loïc Castells
Press Agence Plan Bey
PRODUCTION Compagnie 111 – Aurélien Bory
COPRODUCTION Musée Picasso – Paris, Théâtre Garonne scène européenne -Toulouse
REHEARSALS Théâtre de la Digue – Toulouse